Two Poems by David Callin


Always


My father sang Always
as though he was handling
something delicate,

something his large hard hands,
agricultural,
might easily break,

so he sang gently,
wooing the song politely
out of its whorled shell.

His pitch was imperfect,
his ear was fallible,
his tenor less than certain,

and sometimes the tune skittered
like an ungainly beast
on too smooth a surface,

but he sang on, holding
that tune so carefully –
a humdrum melody

something like a psalm,
an efflorescence
of the working day.

My Father’s VE Night
(or ‘Victory in Salop’)


My father later denied
ever having told me
that on his VE night
he had pushed his bicycle home
all the way from Telford
back to the farm – he’d been
conscripted to the land,
digging there for Britain –
without ever quite managing
to get on and ride the thing.

Drink had been taken,
which does not sound like him –
I only ever saw
the occasional Mackesons
and the dutiful toasts at weddings –
but on this of all nights,
why would he not? I like
the image of him walking
his bike and himself back home,

like someone trying to reason
with a stiff and skittish horse,
or helping a wounded comrade,
a la Guns of Navarone,
who was saying go on, just leave me,
but would he? No, not likely.
Not a chance, old lad.
We’ll get you back to Blighty.

And I’m sure he told me that.
I’m almost sure he did.




David Callin, from The Isle of Man, explains that his father was a farmer and describes his own childhood on the farm as idyllic – for him and his sister, at least. Probably rather less so for their hard-working parents. His poem Always was previously published in Snakeskin and features in his first collection, also entitled Always, published by Dreich in 2020.

Three Poems by Finola Scott


Repurposing furniture

1. the story chair

your voice  soft warm steady
and there you are   snug
book on one hand 
daughter cradled on the other
she is looking at you   you point
at the page   she looks
at the page  smiles   you look
at her smile     and smile
your voice soft warm steady
daddy bedtime reading 

2. the music chair

guitar tuned  you settle to play
wee faces watch  eager to catch the beat
you foot tap riff  and the audience shift
leaping grinning wiggling clapping
live music here and now in this room
requests taken
no need to turn on radio  or ask Alexa 
here and now  it’s daddy our music man.


Shredding

and you’re both on the floor
piles of files and folders teeter
ribbons of paper surround you
novelty  transforms this chore
grinning daddy feeds the shredder
noise  whirs  paper   paper   paper
flying  floating  coating the carpet
soft hands clap as spirals of print spout
little fingers tangle making bracelets
bills secrets accounts turn to snow 
at the press of a button
and oh again  again  again daddy
while laughter soars

This is not a shelf unit

It is a monument to joy shared.
Tiny sculptures take pride in this place, 
shelf on shelf on shelf,
such careful constructions. 
Bigger more intricate each time.
Diagrams consulted, eager eyes 
find delicate pieces, position and press
to build lego, that daddy ordered
late night online, thinking of this
bigger each time.


Finola Scott’s poems are on posters, tapestries, postcards and published widely including New Writing Scotland, The High Window, and Lighthouse. Red Squirrel Press publish her pamphlet Much left Unsaid. See also Finola Scott Poems on Facebook. Finola is delighted to watch her son-in-law having fun becoming a fine father. 


Finola Scott

Three Poems by Alwyn Marriage

As Good Dadhood culminates this Fathers’ Day weekend, the project to celebrate fatherhood closes with a fanfare of poems by Alwyn Marriage.

of hearts and hands

his hands
detached from any form
of domesticity

were never grimed in earth
or sheltering tiny moons of soil
beneath the nails

the softness I remember
was not the flab of soapy water
or chemical residue of washing up

I can’t recall a single scratch
or cut, the mild abrasions earned
by helping in the garden

despite the implications of all that
it’s still his hands that are
imprinted on heart’s memory

hands into which my childhood hand would slip
discovering the warmth, security and strength
he meant when he said God.

Home from home

In the garden there was an apple tree
in whose welcoming arms
I built a house made out of childhood dreams,

old, huge and branched into a thousand rooms.
It might have been a Blenheim or a Cox,
although, of course, I never thought to ask,

but every year it bore a crop of sweet and juicy fruit,
which to my unfailing annual astonishment
always caused a stomach ache if eaten when unripe.

In Spring my tree wore a scented robe
of palest pink and white that shivered in the wind
and scattered confetti on the ground below.

Hidden beneath green leaves it seemed to me
that no one knew my whereabouts or why
I was so late for meals and arrived with dirty nails.

My magic house contained a kitchen, bedroom, hall;
but far more comfortable was the study where I’d sit
for hours, as inaccessible as my father was in his.

Years later, my father dead and all my family
scattered into other homes, I passed the house
again and peered over a fence into the garden

where rooms still nestled in the open arms
of my ancient apple tree, but now looked smaller
and less commodious than when I was a child.

The old preacher

GS

For many years my father
had swayed his congregations,
moving them to tears and laughter,
and inspiring holiness.

When he was old and frail
he sat each day at the piano,
softly singing as he played
the ground-bass of his faith;

simple piety in melody and harmony
still firm despite the gathering gloom,
gems from his tattered hymn book
offered up as a form of prayer.

Earlier version published in Sarasvasti, 2017


Alwyn Marriage’s eleven books include poetry, fiction and non-fiction, and she is widely published in magazines, anthologies and on-line. Formerly a university philosophy lecturer and Director of two literacy and literature NGOs, Alwyn is currently Managing Editor of Oversteps Books and research fellow at Surrey University. She gives regular poetry readings and workshops in Britain and abroad. Her latest poetry collection is In the image: portraits of mediaeval women and her latest novel is The Elder Race. www.marriages.me.uk/alwyn

Alwyn explains that her father was a clergyman and a fine preacher. When he was too old to preach, he continued to write a new sermon every week.

Special Editions 2020


When Good Dadhood first ran, back in 2017, it featured two Special Editions, in addition to the poems appearing on the ‘front page’ of the e-zine.  This year, we had much pleasure in again presenting an Easter Special, showcasing eight poems https://gooddadhood.com/easter-special-edition-2020/.

Now, as the 2020 Good Dadhood period approaches its culmination on Fathers’ Day on Sunday 21 June, it is a delight to present another Special Edition, featuring five wonderful poems from Patricia Ace, Zoe Mitchell, JLM Morton and Jenni Wyn Hyatt. To read their poems, please click on this link: https://gooddadhood.com/special-edition-ii-2020/

Also, please do check back here on Saturday for three poems for Father’s Day from Alwyn Marriage.

Meanwhile, here are two lovely photographs from Patricia Ace and Zoe Mitchell … with their Dads.

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Patricia and her Dad

Zoe with her Dad

Two Poems by Maggie Mackay

Bring Back Dad Blues

There he sits in dusk in his favourite chair
and the fiddle comes jigging, jigging,
his fingers drumming Carmina Burana,
baton-hand Beethoven strings,
head nodding in a dream within my dream.

Tobacco tang swirls across his eyes
slipping like melt. Golden Virginia, a gold packet,
crackles to life. There’s a library book open,
waiting to be read. He’s walking, walking to what counts.

Walk to me.
Forty years of seasons and ageing,
and a blackbird’s song.


My Father as a Zephyr

Lightest of all things,
he blows in light of a perpetual spring,
scatters the salty Clyde with early summer breezes,
with seaweed fronds on soft foam,
fruit of our childhood holidays.
His soft stirring smile greets aquamarine.
His wind-song dances on fiddle strings, sotto.
The west wind restores dear ones
with a tease, a coorie-in, a purr.


Previously published by Three Drops from a Cauldron and nominated for The Pushcart Prize, 2017/18



Maggie Mackay loves family history which she incorporates into work in print and online journals. She is a Poetry Masters graduate of The Writing School, Manchester Metropolitan University. She has a poem in the award-winning #MeToo anthology. Others have been nominated for The Forward Prize, Best Single Poem ­­­­­­­­with one commended in the Mothers’ Milk Writing Prize. Her pamphlet ‘The Heart of the Run’ is published by Picaroon Poetry and the booklet ‘Sweet Chestnut’ published by Karen Little in aid of animal welfare. She is a reviewer for https://www.sphinxreview.co.uk/

Maggie with her Father